MAKING GUIDE
LEVEL: 4
The examination comprises three (3)
sections:
ü Section
A: All questions are compulsory (55 marks)
ü Section B
Ø This
section is composed by three(3)
compulsory questions
Ø Scoring
is out of 30 Marks being 10marks for each question.
ü Section C
Ø In
this section is composed by two(2)
questions choose only one (1)
Ø Scoring
is out of 15 Marks
ü Plot a line after each question in
order to separate your answers
SECTION
A: Attempt all question in section
A /55 MARKS
Question 1: Give five (5) camera mount kit (5 Marks)
1.
Warm Up Describe
three camera movements.
2.
Monopod A
monopod is a single pole onto which you can mount a camera.
3.
Tripod A
tripod is a three-legged camera mount. Can be connected to a dolly for easy
maneuverability.
4.
Crane A
crane is a motion picture camera support that can lift the camera from close to
the studio floor to more than 10 feet above it.
5.
Dolly A
dolly is a camera support that enables the camera to move in all horizontal
directions. It can be used to move the camera toward or away from the object.
6.
Jib Arm
Similar to a camera crane. Permits the jib arm operator to raise, lower, and
tongue (move sideways) the jib arm while tilting and panning the camera.
7.
Studio
Pedestal Heavy camera dolly that permits raising and lowering the
camera while on the air.
8.
Steadicam Camera
mount whose built-in springs hold the camera steady while the operator moves.
Question
2: Differentiate optical zoom and
Digital zoom (5 Marks)
· Optical
zoom: If taking a lot of photos from far away
subjects is important to you, be sure that the camera you buy has an optical
zoom. An optical zoom is a true zoom lens, like the zoom lens you’d use on a
film camera. They produce much better-quality images.
· Digital
zoom: Some cameras offer a digital zoom, which is
simply some in-camera image processing. When you use a digital zoom, the camera
enlarges the image area at the center of the frame and trims away the outside
edges of the picture. The result is the same as when you open an image in your
photo-editing program, crop away the edges of the picture, and then enlarge the
remaining portion of the photo.
Question
3: what is the difference between
view finder and LCD screen (5 Marks)
The most obvious difference with electronic viewfinders is that just like looking at the LCD screen on the back of your camera, you see a digital
representation of the
world in front of your
camera instead of the
actual world that your eye sees.
LCD screens are great, and the
quality improves with each new generation of DSLR cameras appearing on the
market. But, many professional photographers prefer to use a camera's
viewfinder.
Question
4: how can you transfer file from
digital camera to a computer (5Marks)
Connect the camera to the
computer via USB. USB stands for Universal Serial Bus, which is a technology developed for
connecting printers, cameras, and other devices to a computer. A USB port is a slot on the computer
where you can plug in a USB cable. Here’s a close-up look at a USB plug and
ports, which are typically marked with the symbol you see below.
Use a card reader. A card reader is a device that
enables a computer to access data directly from a memory card. No camera or
battery power required. You just take the card out of the camera and slip it
into the card reader when you want to download photos.
Transfer wirelessly. Cellphones
and other smart devices can connect to your computer wirelessly, assuming that
your computer itself is part of a Wi-Fi network. You also may be able to use
Bluetooth, another wireless data-transfer technology, to connect your smart
device to your computer.
Question 5: what do you consider while choosing camera battery (5 Marks)
we all look for the same qualities in camera batteries: a long
lifespan, great battery performance, and a price that can’t be beaten. With
this in mind, you can compare many different brands and battery types to find
the perfect battery for your camera; all while meeting your needs and keeping a
watch on your budget. Rechargeable batteries offer a longer lasting source
of power for cameras; however they do not have an attractive price tag.
Question 6: list five (5) common camera storage devices
The
most common types of digital camera storage media are CompactFlash, Secure
Digital, xD Picture, Memory Stick, Microdrive, and Smart Media.
Most
of the current digital cameras use CompactFlash cards
Question
7: When capturing an image at night
there are Common Obstacles that you can face, give a brief note about these
obstacles (3 Marks)
Taking photos at
night can be a challenge because
your camera doesn't have as much light to work with. Common problems include
photos that are blurry (due to a slow shutter speed), grainy (due to a higher
ISO number), or dark (if your camera can't compensate for the low light).
Question
8: explain at list 4 camera modes
during capture that are available on mode dial (3 Marks)
・Mode P
(Programmed Auto)
The camera automatically adjusts aperture and shutter speed for optimal
exposure, but the photographer can choose from different combinations of
aperture and shutter speed that will produce the same exposure. This is known
as flexible program.
・Mode S
(Shutter-Priority Auto)
The photographer chooses the shutter speed and the camera automatically
adjusts aperture for optimal exposure.
・Mode A
(Aperture-Priority Auto)
The photographer chooses the aperture and the camera automatically
adjusts shutter speed for optimal exposure.
Note: that in all three modes—P, S, and A—exposure is automatically
adjusted for optimal results.
・Mode M (Manual)
The photographer chooses both aperture and shutter speed, providing the
greatest latitude for creative expression. Choosing the wrong combination
could, however, result in photographs that are too bright (overexposed) or too
dark (underexposed). We therefore recommend using the camera exposure
indicator as a guide when choosing aperture and shutter speed.
Question
9: give at least 3 types of scanner (3 Marks)
·
Flatbed Scanners
·
Sheet-Fed Scanners
·
Integrated Scanners
·
Drum Scanners
·
Portable Scanners
Question
10: what is metadata? (3 Marks)
A set of data that describes and gives
information about other data. Metadata is
essential for maintaining historical records of long-term data sets, making up
for inconsistencies that can occur in documenting data, personnel and methods.
Comprehensive metadata can
also enable data sets designed for a single purpose to be reused for other
purposes and over the longer term
Question
11: Give three example of metadata
on an image? (3 Marks)
·
Width
·
Height
·
pixels
·
aperture
·
shutter speed
·
ISO number
·
focal depth
·
Name of the
photographer
·
and the date and
time when a photograph was taken
Question 12: Discuss
how you can progress your project toward achieving your targets (5 Marks)
Identify what’s Important
The
first step in setting and achieving project goals is to identity what things in
your project are really important to you and the rest people involved.
Set Critical Things as Goals
You
need to determine critical things and turn them into project goals. There is an
efficient technique of project goals management, called “SMART” (Specific,
Measurable, Attainable, Realistic and Timely).
Share Your Goals
Your
project goals and objectives won’t be successfully achieved if you do not
communicate them to the team.
Develop an Action Plan
Having
the project goals in front of you every day will help but you also need to have
a detailed action plan to achieve the goals. Your project plan is too common
and does not depict how to achieve specific goals.
Keep the Project on Track
As a
good project manager who can set priorities and diversify own efforts, you need
to focus on the high-priority tasks in your plan while your team will focus on
the rest tasks.
Question
13: After capturing an image you
need to highlight different details of that image. State five (5) of those
details. (5 Marks)
·
Photographer
·
Location
·
date
·
time
·
rights
management
SECTIONB: Attempt all question in section B /30 MARKS
Question
14: explain 10 photography technical
terminology (10 Marks)
Aspect Ratio
If
you’ve ever printed images before, you’ve probably noticed that an 8 x 10
usually crops from the original image. That’s due to aspect ratio. Aspect ratio
is simply the ratio of the height to width
Depth of Field
Depth
of field is a photography term that refers to how much of the image is in focus
Digital Vs. Optical
Digital
and optical are important terms to understand when shopping for a new camera.
Digital means the effect is achieved through software, not physical parts of
the camera.
Exposure
Exposure
is how light or dark an image is. An image is created when the camera sensor
(or film strip) is exposed to light—that’s where the term originates.
Exposure Compensation
Exposure
compensation is a way to tell the camera that you’d like the exposure to be
lighter or darker.
File Format
The
file format is how your camera lens will record the image or image file.
Focal Length
The
focal length describes the distance in millimeters between the lens and the
image it forms on the film.
Focus
When
your eyes focus on an object that’s close to you, the objects far away will
appear blurry. The common photography term “focus” has the same meaning.
Hot Shoe
Hot
shoe is the slot at the top of a camera for adding accessories, like the aptly
named hot shoe flash.
ISO
The ISO
determines how sensitive the camera is to light. For example, an ISO of 100
means the camera isn’t very sensitive—great for shooting in the daylight.
Manual
Manual
mode allows the photographer to set the exposure instead of having the camera
do it automatically. In manual, you choose the aperture, shutter speed and ISO,
and those choices affect how light or dark the image is. Semi-manual modes
include aperture priority (where you only choose the aperture), shutter
priority (where you only choose the shutter speed) and programed auto (where
you choose a combination of aperture and shutter speed together instead of
setting them individually).
Noise
Noise
is simply little flecks in an image, also sometimes called grain. Images taken
at high ISOs have a lot of noise, so it’s best to use the lowest ISO you can
for the amount of light in the scene.
RAW or Raw Files
RAW is
a file type that gives the photographer more control over photo editing. RAW is
considered a digital negative, where the default JPEG file type has already
been processed a bit. RAW requires special software to open, however, while
JPEG is more universal
Shutter Speed
The shutter
speed is the part of the camera that opens and closes to let light in and take
a picture. The shutter speed is how long that shutter stays open, written in
seconds or fractions of a second, like 1/200 s. or 1”, with the “ symbol often
used to designate an entire second
Shutter Release
That’s
the button (or shutter button) you press to take the picture. It allows you to
point-and-shoot.
Time Lapse
A
time-lapse is a video created from stitching several photos together taken of
the same thing at different times. Don’t confuse a time lapse with a long
exposure, which is a single image with a long shutter speed.
Viewfinder
That’s
the hole you look through to take the picture. Some digital cameras don’t have
one and just use the screen, but all DSLRs and most mirrorless cameras use
them.
White Balance
Your
eyes automatically adjust to different light sources, but a camera can’t do
that—that’s why sometimes you take an image and it looks very blue or very
yellow.
Single Lens Reflex
A
single lens reflex camera has a single lens that forms an image which is
reflected to the viewfinder. Digital single lens reflex cameras or DSLR cameras
are the most versatile of the digital cameras.
Flash
Sync
You probably know that the flash
is a burst of light—flash sync determines when the flash fires. Normally, the
flash fires at the beginning of the photo, but changing the flash sync mode
adjusts when that happens.
Question
15: with your own idea explain how you can manage and complete a photographic project
(10 Marks) (
1. Giving Yourself Time.
PPart
of planning a project like this involves making
sure that you have enough time to attend to all the details.
2. Give Yourself Freedom.
3. Do Some Writing.
4. Make It Personal.
D Do Plenty of Research.
6. Motivation and a sense of accomplishment
7.
Here
is what I consider when picking a subject:
·
Passion
·
What
do you love outside of photography
·
How
will I shoot this project?
·
choose
a subject that is accessible
·
Consistency
is crucial
·
Move
out of your comfort zone
·
Make
a project description
·
The
power of the deadline
·
Do whatever brings you to life, then. Follow your own fascinations,
obsessions, and compulsions. Trust them. Create whatever causes a revolution in
your hear
Question
16: Describe how you can set goals for your photographic project (10 Marks)
Learning by Doing
There is only one sure way to
get better at photography: go out and take pictures while consciously
considering what you are doing.
Outcome vs. Process Goals
Broadly, there are two kinds of
goals: outcome goals and process goals. An outcome goal is defined by an end
point, whereas a process goal is defined by the various steps that go towards
reaching the end point. For learning new skills, process goals are typically
better.
SMART Goals
One of the leading approaches
to goal setting is the SMART approach—the acronym stands for Specific,
Measurable, Achievable, Relevant and Time-Constrained. A good goal should
fulfil all five criteria. This is true of all goals, not just those related to
photography.
Setting Good Goals
To start, decide what your
overall goal is. If you’re picking up a DSLR for the first time, your goal
might be to get comfortable using manual mode. If you’ve been doing a lot of
one kind of photography, the goal might be to branch out into others. If you
only shoot video, it might be to shoot stills.
The first decision is whether
to use outcome or process goals. If you’re already a skilled photographer,
outcome goals can work well. If you’re trying something totally new then use
process goals.
·
Be
realistic
·
Clean
up your work space
·
Focus
on one topic at a time
SECTION C:
Choose one (1) question in section C /15
MARKS
Question 17: name the following camera part (15 Marks)
|
|
Question 18: Explain three point lighting
techniques (15 Marks)
Three-point lighting is the standard form of professional lighting in
video production and still photography. It involves using three light sources
placed in three different positions. By playing with the size, distance,
intensity, and position of these light sources, including their degree angle,
it is possible to control how light and shadow fall on a subject, creating
different moods. The three types of lights are key light, fill light, and
backlight.
- Key
light. This is the primary and
brightest light source in the three-point lighting setup. It gives a scene
its overall exposure. Cinematographers typically position this main light
slightly off to the side of the camera and the front of the subject, on a
light stand at a 45-degree angle to the camera, which creates shadows on
the opposite side of the subject’s face, giving it dimension and depth.
The primary light creates the mood of a scene. Depending upon its position
and the supplemental lights used in the overall lighting, it can create a
high-key image (evenly, softly lit and atmospherically upbeat) or a
low-key image (high contrasts, deep shadows, and very moody).
- Fill
light: Mirroring the key light on
the opposite side of the camera, the fill light literally fills in the
shadows that the key light creates on a subject, bringing out details in
the darkness. Typically, this secondary light is less bright than the key,
and cinematographers control the overall feel of their shots based on how
much they dim or lighten the fill light. A dim fill light, where the fill
ration is high, creates a high-contrast, film-noir type of shadow, while a
brighter light with a lower, more balanced ratio gives the subject a more
even look. The second light isn’t always a light: it can be a reflector, a
bounce card, a wall, or anything that bounces back some light onto the
subject to fill in the shadows. Together with the key light, the fill
light determines the mood of a scene.
- Backlight: The third source in this
lighting technique, the backlight (also known as the “rim light” or “hair
light”) shines on a subject from behind, completing the light setup. This
creates a rim of light or outline around their head that pushes the
subject away from the background and gives a sense of depth. Typically,
cinematographers position the backlight directly behind the subject or
high enough to be out of frame, opposite the key light, and pointing at
the back of the subject’s neck.
Good lighting creates a more interesting and
dynamic image where the subject is seen with more dimension and where the
cinematographer has more control over shadows.
1 Comments
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